

Pioneer A-27 (A-0012) Series 20 Amplifier
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2020 Rebuild Project

A-27 fully recapped and rebiased, reset original power transistors with new thermal compound and mica, relamped, and speaker relays disassembled to clean contacts with DioxiT strips. ("Vintage" setup includes the rebuilt Pioneer A-27 Integrated, Marantz SA-11S2 SACD Player, Yamaha NS-1000 Speakers, Kimber Hero Interconnects, Kimber 8TC Speaker Cables, Sound Anchor 4 Post Speaker Stands, Sound Anchor Amp Stand.)
Background: I remember Pioneer's Series 20 line from their 1978-1980 Series 20 as an all out attempt at the then newly emerging "high end" during the late 1970's stereo wars. The A-27 had an MSRP of $1,250 - $4,987 in 2020 US dollars. Pioneer's own SX-1980 giant, now much sought after, had an MSRP at $1,295.
The mostly well regarded Series 20 components included:
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C-21 : preamplifier
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D-23 : crossover
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F-26 : 7-gang tuner
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F-28 : 5-gang tuner
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U-24 : program selector
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M-22 : Class A power amplifier
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M-25 : Class AB power amplifier
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A-27 : Class AB integrated amplifier (most expensive component retailing at $1,250 in 1978), a combination of the Series 20 M-25 amplifier and C-21 preamplifier, and SPEC-1 preamplifier (tone controls).
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1978 Promotional Literature Photos
I was fortunate to purchase an original example from 1979 in terrific shape. Still in its original packaging, there was plenty of dust buildup inside (see "Progress" photos) as well as a low level hum at the speakers. You may ask, "what's so special about a 40 year old amp that make's it worth rebuilding?"
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It's my second time with an A-27. I have fond memories of the first one, but that one was in rough physical shape and I quickly sold it. This example would not bias properly (Power Supply Board voltage well below rating), but it still sounded good - very good - right out of the box. Even prior to rebuilding, this amp earned a spot high on my list of favorite vintage audio pieces for it's design, build, and especially sound. At 63lbs, Pioneer just got something right here. The large knobs are solid aluminum with the smaller controls protected/hidden with a thick hinged glass panel. This amp reaches deep while offering a fantastic midrange and 3-dimensional soundstage that seems to separate instruments. And, yes, under the thick glass panel are defeatable tone controls.
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Listening compared to what other amps?
I've owned many well regarded amplifiers out of USA, Japan, France, UK, and Australia that, although very good, always left me searching for the next "audio nirvana." That list includes the likes of:
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Accuphase (E-202)
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Audiolab (8000A)
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Audio Research (100.2)
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Ayre (V-3, AX-7E)
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First Watt (J2, F5)
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Jeff Rowland (Model 1, 3, and 102)
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Kenwood (Supreme 600)
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Krell (KSA50, KSA 100S, Altair)
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Lavardin (IS Reference)
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LFD (Zero Mk III)
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Luxman (L-550)
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Marantz (PM-95 3 exmples)
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Mark Levinson (ML-9/ML-10a, ML26, ML23.5, ML27.5, ML29)
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Pass Labs (Aleph 3)
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Pioneer (M22)
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Spectral (DMA 90)
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Threshold (400A/SL-10, SA/3)
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Yamaha (A-1, B2 VFET)
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YBA (Integre, Passion) ...
Setup
I partnered this A-27 with a pristine set of Natural Sound Yamaha NS-1000 Monitors (highly recommended to revisit these beryllium dome mid/tweeter 70lb 12" monitors manufactured for over two decades in Yamaha's piano factory) along with a well reviewed Marantz SA-11S2 Super Audio CD Player. Cables are Kimber Kable's Hero/WBT interconnects and 8TC speaker cables.
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Listening
Using wide variety of rock, jazz, and smooth jazz...
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40 year old stock
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Treble 9/10
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Midrange/Vocals 9/10
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Deep Bass 8/10
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Soundstage 9/10
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3D/Openness 8/10
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Rebuilt/Break in
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Treble 10/10
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Midrange/Vocals 11/10 SUBLIME!
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Deep Bass 9/10
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Soundstage 10/10
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3D/Openness 10/1​0
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